Fragments of Film: Blue Valentine (Derek Cianfrance, 2010)
By Katy Thompson You Always Hurt The One You Love I was fortunate enough to be given the opportunity to study a wide range of cinema...
By Katy Thompson You Always Hurt The One You Love I was fortunate enough to be given the opportunity to study a wide range of cinema...
By Michael Gilson Chasing Sheep is Best Left to Shepherds: The Draughtsman cannot afford to wait. He has 12 commissioned drawings to...
By Jack Jenkins In 2012, Disney bought LucasFilm for four billion dollars, giving it complete ownership over the Star Wars Franchise....
By Joseph Gilson “Perhaps it is the world that suffers from schizophrenia,” suggests a disembodied voice, ringing out, lonesome, against...
The city has long been a muse and inspiration for filmmakers, from the dawn of moving image to the present day. Literal symphonies have...
There is an often told story of the first days of cinema, that of the train arriving at the station. It was 1896 and in a small cinema...
By Susan Gilson Fire – 2hrs 7mins/ Bob’s Funeral – 1hr 29 mins There were 3.38 minutes of cinema at the end of last year that will be...
By Harry Hook One-way mirror – 1hr 58mins Cinema acts as a one-way mirror. The audience watch the characters in the film; observing,...
By Edwin Gilson Dancing in the fog - 1hr 30mins When I close my eyes and think of evocative film scenes, I see thick fog...and a group of...
By Joseph Gilson In Don Delillo’s novel of a disemboweled American dream, Americana, his central character David Bell, whilst attempting...
By Joseph Gilson “Even if we don’t define them, they still exist behind the scenes.” Midway through Cheng Ran’s cinematic odyssey, In...